November 2024
Hibiscus and Bays Art Award Winners Showcase
Gallery One
Thursday 31 October to Sunday 24 November 2024 at 2pm
View the winning artists from the annual Hibiscus and Bays Art Awards in 2023.
Bernadette Ross, Sheree Foster, Susannah Law and Jasmine Reynolds.
Bernadette Ross
Tena koutou katoa
Ko Wiri toku maunga
Ko Manukau toku moana
Ko Manurewa toku turangawaewae
Ko Ngati pakeha toku iwi
Ko Peguero toku hapu
Ko Bernie ahau
Bernie was born in South Auckland on a dairy farm; she was one of nine siblings. Growing up on the farm taught her a huge respect for the land, the bush, rivers, and the sea. These early experiences led her to a landscape gardening career after a brief period of office work. Physical injury meant by the time she was 50, a permanent change of direction was required and a subsequent enrolment into Te Wananga o Aotearoa in Tauranga Moana.
What followed was a wonderful four years of learning the Art of Raranga (Flax Weaving). The influence of Tutor Whaea Bibbins Tangitu in her work, is clear. Bibbins was a master of Porohita and Kete. While doing her Maunga Kura Toi -Bachelor of Māori Art, she was guided by another skilful, Tauranga weaver Rawhinia Gray.
Bernie was the Supreme winner in the Harcourts Art Challenge in Whangamata in January 2020, and won the Wearable Art 'Aotearoa' section in Coromandel in 2014. In 2019 she was involved in the Star Waka installation for the Tuia Celebrations in Whitianga, under the guidance of Dr. Maureen Lander.
She has exhibited in Kura Gallery in Wellington and at present has work in Ora Gallery Wellington, Soul Gallery in Hamilton, Pataka Gallery Toi store Porirua, Omaha Beach Vineyard, Matakana and The Little Gallery in Tairua and Whangamata.
Susannah Law
As a painter I endeavour to capture the essence of my country N.Z.- Aotearoa, while creating my own fictional narrative. I’m drawn to the impacts and interrelationships of animal’s, humans, and our natural world, what is lost, what remains, and how conservation endeavours to sustain our wildlife. Recent works are based on the symbiotic relationship that developed between early man and dogs for survival.
My main artist influences are Jackson Pollack, Chinese marbling techniques, Charles Blomfield (early NZ artist) and pre- Raphaelites’ such as John William Waterhouse who told stories through their paintings and focused on nature.
My processes have evolved since attending art school in the early 2000’s. I often use screens directly onto the canvas and cut away areas of vinyl to then prepare for the marbling effects. This is applied via dripping and pouring acrylic paint from bottles and jars. After manipulating the paint with a stylus and/or allowing it to run and move a marbling pattern is created. I enjoy the freedom and fluidity of the paint in this process. Next, I allow that to dry over several days then remove the vinyl and the remaining areas are then hand painted. At times I create several screens if I need different marbled areas in the one piece. For example, water might be marbled first and then a second screen created for the marbling of trees.
My latest cave series explores geology, early man and the relationships they developed with animals and the natural environment. I believe looking back to the past helps us prepare for our future and the possibilities of what that may be like. It is a commentary on the modern era of consumerism that many have subscribed too and the impacts of mass production. The idea of simplifying our lives to have what we need and returning to basics is a yearning that humanity seems to have lately by wanting to revisit a simple life in a natural environment. The Ice age was particularly harrowing and shows mans ability to adapt under pressure, and the importance of connecting with nature.
Sheree Foster
I am an emerging multi Award winning Artist that exhibits in New Zealand, with a number of Solo Exhibitions held. I have had a number of pieces selected from NZ wide to partake in Regional Exhibitions. Many pieces of my artworks now grace beautiful homes.
I graduated from the "University of Life", reaching that crossroads of life, a creative person who has been involved with many forms of art for most of my life. The events we have all been through, our World changing and personal events, they led me back to expressing myself in ART. I quickly felt the joy, the relief, the “rebuilding”, Art can bring to your soul and so this journey began and continues.
My art pieces are 'one off' and “unique”, your acquisition can never be repeated. They are created from a range of repurposed materials as a means of acknowledging the environment through art.
I am inspired by the materials that I gather from Mother Nature and combine them with textiles, metals, flax, weaving and cordage, harmonising with texture and form, defining their finished body, often showing a Pacific Rim or contemporary finish.
I strive for perfection in my pieces and enjoy their finishes, sometimes just for their simplicity and shape, their natural glow of colour or the bright contemporary look. Giving something a new life whether it be in their original form or reorientate to give a new identity. Each piece has a story and often I feel that personal story as the pieces are completed. Commissions are accepted.
Jasmine Reynolds
It is not often that I get the chance to make art. The practice requires time that lessens as my life continues to evolve and change. Originally, I was planning to create a fantasy world, one with monsters, dragons or any other silly creatures. However, with both my mind and life being so busy, I instead felt restricted by this idea. I just wanted to create. It didn’t matter what form it took, I just wanted to paint, draw, collect and mix each small moment of creativity. So the artworks you see here may still change overtime.
Thursday 31 October to Sunday 24 November 2024 at 2pm
View the winning artists from the annual Hibiscus and Bays Art Awards in 2023.
Bernadette Ross, Sheree Foster, Susannah Law and Jasmine Reynolds.
Bernadette Ross
Tena koutou katoa
Ko Wiri toku maunga
Ko Manukau toku moana
Ko Manurewa toku turangawaewae
Ko Ngati pakeha toku iwi
Ko Peguero toku hapu
Ko Bernie ahau
Bernie was born in South Auckland on a dairy farm; she was one of nine siblings. Growing up on the farm taught her a huge respect for the land, the bush, rivers, and the sea. These early experiences led her to a landscape gardening career after a brief period of office work. Physical injury meant by the time she was 50, a permanent change of direction was required and a subsequent enrolment into Te Wananga o Aotearoa in Tauranga Moana.
What followed was a wonderful four years of learning the Art of Raranga (Flax Weaving). The influence of Tutor Whaea Bibbins Tangitu in her work, is clear. Bibbins was a master of Porohita and Kete. While doing her Maunga Kura Toi -Bachelor of Māori Art, she was guided by another skilful, Tauranga weaver Rawhinia Gray.
Bernie was the Supreme winner in the Harcourts Art Challenge in Whangamata in January 2020, and won the Wearable Art 'Aotearoa' section in Coromandel in 2014. In 2019 she was involved in the Star Waka installation for the Tuia Celebrations in Whitianga, under the guidance of Dr. Maureen Lander.
She has exhibited in Kura Gallery in Wellington and at present has work in Ora Gallery Wellington, Soul Gallery in Hamilton, Pataka Gallery Toi store Porirua, Omaha Beach Vineyard, Matakana and The Little Gallery in Tairua and Whangamata.
Susannah Law
As a painter I endeavour to capture the essence of my country N.Z.- Aotearoa, while creating my own fictional narrative. I’m drawn to the impacts and interrelationships of animal’s, humans, and our natural world, what is lost, what remains, and how conservation endeavours to sustain our wildlife. Recent works are based on the symbiotic relationship that developed between early man and dogs for survival.
My main artist influences are Jackson Pollack, Chinese marbling techniques, Charles Blomfield (early NZ artist) and pre- Raphaelites’ such as John William Waterhouse who told stories through their paintings and focused on nature.
My processes have evolved since attending art school in the early 2000’s. I often use screens directly onto the canvas and cut away areas of vinyl to then prepare for the marbling effects. This is applied via dripping and pouring acrylic paint from bottles and jars. After manipulating the paint with a stylus and/or allowing it to run and move a marbling pattern is created. I enjoy the freedom and fluidity of the paint in this process. Next, I allow that to dry over several days then remove the vinyl and the remaining areas are then hand painted. At times I create several screens if I need different marbled areas in the one piece. For example, water might be marbled first and then a second screen created for the marbling of trees.
My latest cave series explores geology, early man and the relationships they developed with animals and the natural environment. I believe looking back to the past helps us prepare for our future and the possibilities of what that may be like. It is a commentary on the modern era of consumerism that many have subscribed too and the impacts of mass production. The idea of simplifying our lives to have what we need and returning to basics is a yearning that humanity seems to have lately by wanting to revisit a simple life in a natural environment. The Ice age was particularly harrowing and shows mans ability to adapt under pressure, and the importance of connecting with nature.
Sheree Foster
I am an emerging multi Award winning Artist that exhibits in New Zealand, with a number of Solo Exhibitions held. I have had a number of pieces selected from NZ wide to partake in Regional Exhibitions. Many pieces of my artworks now grace beautiful homes.
I graduated from the "University of Life", reaching that crossroads of life, a creative person who has been involved with many forms of art for most of my life. The events we have all been through, our World changing and personal events, they led me back to expressing myself in ART. I quickly felt the joy, the relief, the “rebuilding”, Art can bring to your soul and so this journey began and continues.
My art pieces are 'one off' and “unique”, your acquisition can never be repeated. They are created from a range of repurposed materials as a means of acknowledging the environment through art.
I am inspired by the materials that I gather from Mother Nature and combine them with textiles, metals, flax, weaving and cordage, harmonising with texture and form, defining their finished body, often showing a Pacific Rim or contemporary finish.
I strive for perfection in my pieces and enjoy their finishes, sometimes just for their simplicity and shape, their natural glow of colour or the bright contemporary look. Giving something a new life whether it be in their original form or reorientate to give a new identity. Each piece has a story and often I feel that personal story as the pieces are completed. Commissions are accepted.
Jasmine Reynolds
It is not often that I get the chance to make art. The practice requires time that lessens as my life continues to evolve and change. Originally, I was planning to create a fantasy world, one with monsters, dragons or any other silly creatures. However, with both my mind and life being so busy, I instead felt restricted by this idea. I just wanted to create. It didn’t matter what form it took, I just wanted to paint, draw, collect and mix each small moment of creativity. So the artworks you see here may still change overtime.
All Things Bright and Beautiful by Gillian Jones
Gallery Two
Thursday 31 October to Sunday 24 November 2024 at 2pm
My exhibition centres on the love of animals we all share. We all have a favourite whether it's wild, domestic, or even imagery.
What compels me to embrace animals/birds/insects in my work? A visiting Kingfisher, a photo of a much-loved dog, the cat that wanders into the garden and the butterflies that dance thorough the flowers.
All inspiration to capture them in the wonderful art of glass.
My awakening to glass as an option in art was making glass beads in 2016. This opened a world of glass as an art form, Blown, Fused, and Cast .
I loved that Fused Glass could be formed into many guises. Bowls to pictures, wearable to garden art, sculpture to whimsical. Limited only by imagination.
In 2019 I bought a second hand glass kiln, was given a firing schedule and taught myself this most absorbing and beautiful art.
The excitement of opening the kiln in the morning never has never left me, I doubt it ever will.
Thursday 31 October to Sunday 24 November 2024 at 2pm
My exhibition centres on the love of animals we all share. We all have a favourite whether it's wild, domestic, or even imagery.
What compels me to embrace animals/birds/insects in my work? A visiting Kingfisher, a photo of a much-loved dog, the cat that wanders into the garden and the butterflies that dance thorough the flowers.
All inspiration to capture them in the wonderful art of glass.
My awakening to glass as an option in art was making glass beads in 2016. This opened a world of glass as an art form, Blown, Fused, and Cast .
I loved that Fused Glass could be formed into many guises. Bowls to pictures, wearable to garden art, sculpture to whimsical. Limited only by imagination.
In 2019 I bought a second hand glass kiln, was given a firing schedule and taught myself this most absorbing and beautiful art.
The excitement of opening the kiln in the morning never has never left me, I doubt it ever will.
Fleur De Luxe - A Touch of Class
Gallery Three
Thursday 31 October to Sunday 24 November 2024 at 2pm
It is no coincidence that talented designers have one thing in common – CREATIVE PASSION.
Loving what you do is the driving force behind Fleur de Luxe.
About Annamaree Le Brun
Annamaree was clearly born to work with flowers. Marked out by early childhood memories, the wonder of nature, foraging and the crunching of autumn leaves. The forever creating of posies and the amazement of seasons. Her love for flowers is demonstrated by her exquisite creations. Flowers simply ignite her soul.
She has owned and operated flower shops in New Zealand and has featured in magazines and photo shoots.
Her extensive knowledge as a master floral designer is evident and now she is at her best; producing floral artistry together with an expert photographer.
About Roumen
Roumen is a professional photographer and owner of Howick Frames and Gallery. His work is best described as stunning and poetic.Flower compositions can be photographed by Roumen as a portrait and lasting memory.
Roumen simply creates something spectacular.
In a quest to refine floral style, Fleur de Luxe proclaims luxury and style.
Their new website soon to launch offers fresh flowers for all occasions, including weddings, funerals and grand events.
If you want luxury, this is your go to site.
For more details contact Annamaree or Roumen;
https://www.facebook.com/fleurdeluxenzl
https://www.instagram.com/isonewzealand/
https://www.instagram.com/fleurdeluxenz/
Thursday 31 October to Sunday 24 November 2024 at 2pm
It is no coincidence that talented designers have one thing in common – CREATIVE PASSION.
Loving what you do is the driving force behind Fleur de Luxe.
About Annamaree Le Brun
Annamaree was clearly born to work with flowers. Marked out by early childhood memories, the wonder of nature, foraging and the crunching of autumn leaves. The forever creating of posies and the amazement of seasons. Her love for flowers is demonstrated by her exquisite creations. Flowers simply ignite her soul.
She has owned and operated flower shops in New Zealand and has featured in magazines and photo shoots.
Her extensive knowledge as a master floral designer is evident and now she is at her best; producing floral artistry together with an expert photographer.
About Roumen
Roumen is a professional photographer and owner of Howick Frames and Gallery. His work is best described as stunning and poetic.Flower compositions can be photographed by Roumen as a portrait and lasting memory.
Roumen simply creates something spectacular.
In a quest to refine floral style, Fleur de Luxe proclaims luxury and style.
Their new website soon to launch offers fresh flowers for all occasions, including weddings, funerals and grand events.
If you want luxury, this is your go to site.
For more details contact Annamaree or Roumen;
https://www.facebook.com/fleurdeluxenzl
https://www.instagram.com/isonewzealand/
https://www.instagram.com/fleurdeluxenz/
The Painter and the Potter - Patsy Fisher and Gail Smith
Gallery Four (Education Wing Foyer)
Thursday 31 October to Sunday 24 November 2024 at 2pm
Thursday 31 October to Sunday 24 November 2024 at 2pm
Gail Smith - Ceramics
I am a sef-gaught ceramic artist and painter living in Manly, Whangaparaoa. I am inspired by all things beautiful and the sea. I have won the Estuary Member Award for Ceramics in 2024, been acepted into the Quarry Ceramic awards 2024, won the Auckland Watercolour Society award in 1985.
I am a sef-gaught ceramic artist and painter living in Manly, Whangaparaoa. I am inspired by all things beautiful and the sea. I have won the Estuary Member Award for Ceramics in 2024, been acepted into the Quarry Ceramic awards 2024, won the Auckland Watercolour Society award in 1985.
You can make it
You cna make it! It's all up to you!
Artist's license is what I know - and it is true
Once you pick up a paint brush - you're hooked, so be told
You can't get enough of it - be big, bright and BOLD!
Estuary Arts Centre - is for one - and for all
There's so much enouragment - you soon will walk tall
Painting becomes a drug! From experience I know
I get withdrawal symptoms when not working - so give it a go!
You learn to become observant - to look at the colour of the trees
So many shades of green - made from yellow and blue!
You will mix them all with ease!
So come on! Have a go - what have you got to loose?
It's so creative and so much fun - much better that dringing booze!
Poem by Patsy Fisher
You cna make it! It's all up to you!
Artist's license is what I know - and it is true
Once you pick up a paint brush - you're hooked, so be told
You can't get enough of it - be big, bright and BOLD!
Estuary Arts Centre - is for one - and for all
There's so much enouragment - you soon will walk tall
Painting becomes a drug! From experience I know
I get withdrawal symptoms when not working - so give it a go!
You learn to become observant - to look at the colour of the trees
So many shades of green - made from yellow and blue!
You will mix them all with ease!
So come on! Have a go - what have you got to loose?
It's so creative and so much fun - much better that dringing booze!
Poem by Patsy Fisher
Expression of an Impression
I wonder why there is talk about - the expression of an impresssion!
I wonder why people have to analyse a painting - and give an expression!
The impression that someone has seen - is surely a persal expression!
Our personal experiences make us who we are
Just as well - with no holds barred!
So just enjoy looking at impressions - it's a style after all
Not much detail - just one's expression of an impression
To be individual - to create from your mind
One must keep observing - or be left behind
Soooo no need to anlayse - I just want to brighten your day
I hope my expression of an impression does't cause you dismay!
Poem by Patsy Fisher
I wonder why there is talk about - the expression of an impresssion!
I wonder why people have to analyse a painting - and give an expression!
The impression that someone has seen - is surely a persal expression!
Our personal experiences make us who we are
Just as well - with no holds barred!
So just enjoy looking at impressions - it's a style after all
Not much detail - just one's expression of an impression
To be individual - to create from your mind
One must keep observing - or be left behind
Soooo no need to anlayse - I just want to brighten your day
I hope my expression of an impression does't cause you dismay!
Poem by Patsy Fisher
October 2024
YAKISHIME – Earth Metamorphosis
Gallery One, Two and Three
Wednesday 02 October to Monday 28 October 2024 at 2pm
Yakishime, firing unglazed wares at high temperatures, is said to be one of the most basic means to produce ceramics. The tradition embodied in these primordial wares continues unbroken to this day. This exhibition focuses on Yakishime wares, as part of Japan’s traditional culture, and presents their history from the earliest examples to the present through Yakishime tea vessels, food vessels, and works that are transformations of Yakishime into non-utilitarian object's d’art, aiming to provide an excellent opportunity to communicate this distinctively Japanese sensibility and aesthetic to the people abroad.
Brought to us by The Japan Foundation
Wednesday 02 October to Monday 28 October 2024 at 2pm
Yakishime, firing unglazed wares at high temperatures, is said to be one of the most basic means to produce ceramics. The tradition embodied in these primordial wares continues unbroken to this day. This exhibition focuses on Yakishime wares, as part of Japan’s traditional culture, and presents their history from the earliest examples to the present through Yakishime tea vessels, food vessels, and works that are transformations of Yakishime into non-utilitarian object's d’art, aiming to provide an excellent opportunity to communicate this distinctively Japanese sensibility and aesthetic to the people abroad.
Brought to us by The Japan Foundation
Members Merit awards – Auckland Water Colour Society
Gallery Four (Education Wing Foyer)
Wednesday 02 October to Monday 28 October 2024 at 2pm
Opening and Award presentation Saturday 05 October 3pm to 4.30pm
The Annual Members Merit Awards featuring new work created by the members of the Aukland Watercolour Society. View a wide range of genres all created in medium of watercolour. From hard edged to soft tones from landscapes to figurative, there is something for everyone.
Wednesday 02 October to Monday 28 October 2024 at 2pm
Opening and Award presentation Saturday 05 October 3pm to 4.30pm
The Annual Members Merit Awards featuring new work created by the members of the Aukland Watercolour Society. View a wide range of genres all created in medium of watercolour. From hard edged to soft tones from landscapes to figurative, there is something for everyone.
September 2024
Trichotomy by Bronwen Finn, Margaret Graydon and Jill Turley
Gallery One
Tuesday 03 September to Sunday 29 September 2024 at 2pm
Meet the artists on Saturday 07 September from 3pm to 4.30pm
BRONWEN FINN
My current work reflects my interest in the beauty of nature and in the process of re-using my own art works from previous years. Charcoal rubbings of wood grains, leaves and branches, underpin much of my work, which is created digitally.
I am inspired by Edward Hopper for the construction and colour palette of his paintings; David Hockney, who uses his IPad for creating art and Andre Derain of the Fauvists, for his use of colour.
I continue to explore the balance between abstract and realism and am always looking for new ways of presenting old works, while incorporating patterns from nature to create something fresh and interesting. I do this by adding layers one on top of the other and then drawing into the resulting art work where needed.
JILL TURLEY
My intention is to represent psychological states and social interaction through the collision of planned intention and the variables of materiality. In doing so, I hope to heighten our awareness of both the strength and the delicate but unpredictable balance of the human psyche and the collective unconscious.
MARG GRAYDON
For me the picture plane is a place of discovery. Basic triangular shapes butt up against each other in a hard edged abstract way.
The painting is made up of clean-edged colour which reinforces the flatness of the picture surface. The triangle is the strongest shape and holds it’s shape with a base which has a strong support. The colours I use represent to me the colour field found in our everyday surroundings.
Tuesday 03 September to Sunday 29 September 2024 at 2pm
Meet the artists on Saturday 07 September from 3pm to 4.30pm
BRONWEN FINN
My current work reflects my interest in the beauty of nature and in the process of re-using my own art works from previous years. Charcoal rubbings of wood grains, leaves and branches, underpin much of my work, which is created digitally.
I am inspired by Edward Hopper for the construction and colour palette of his paintings; David Hockney, who uses his IPad for creating art and Andre Derain of the Fauvists, for his use of colour.
I continue to explore the balance between abstract and realism and am always looking for new ways of presenting old works, while incorporating patterns from nature to create something fresh and interesting. I do this by adding layers one on top of the other and then drawing into the resulting art work where needed.
JILL TURLEY
My intention is to represent psychological states and social interaction through the collision of planned intention and the variables of materiality. In doing so, I hope to heighten our awareness of both the strength and the delicate but unpredictable balance of the human psyche and the collective unconscious.
MARG GRAYDON
For me the picture plane is a place of discovery. Basic triangular shapes butt up against each other in a hard edged abstract way.
The painting is made up of clean-edged colour which reinforces the flatness of the picture surface. The triangle is the strongest shape and holds it’s shape with a base which has a strong support. The colours I use represent to me the colour field found in our everyday surroundings.
Holding on by Jacqueline Letham
Gallery One
Tuesday 03 September to Sunday 29 September 2024 at 2pm
Meet the artist on Saturday 07 September from 3pm to 4.30pm
Eastern beaches in the Hauraki Gulf see the sun rise and rain storms sweep in. There is a light that is magical. This place, this expanse is fragile. One Pohutakawa holds on to the cliff face, it prevails. In this collection of work I respond to eastern beaches. From initially starting with charcoal studies I have developed to a more abstract form. I have enjoyed this journey of discovery with new materials, incorporating cold wax, oil sticks and collage. I hope to share the emotion I feel about this place. How precious the landscape is and the life force, the natural energy I experience.
Auckland based artist Jacqueline Letham, studied art in the UK gaining a BA Hons in fashion and textile design. It is her love of textures and colour, with strong lines and mark making, that give energy and movement to her work. Jacqueline has regularly exhibited at art centres and gallery spaces in the Auckland area. Whilst living in the UK, Jacqueline worked as a designer and craft maker of decorative artworks. These incorporated found objects and recycled elements. These were sold throughout the UK craft scene.
Website: www.jacquelinelethamartist.com
www.instagram.com/jacquelinelethamartist
www.facebook.com/JacquelineAnneLethamArtist
Tuesday 03 September to Sunday 29 September 2024 at 2pm
Meet the artist on Saturday 07 September from 3pm to 4.30pm
Eastern beaches in the Hauraki Gulf see the sun rise and rain storms sweep in. There is a light that is magical. This place, this expanse is fragile. One Pohutakawa holds on to the cliff face, it prevails. In this collection of work I respond to eastern beaches. From initially starting with charcoal studies I have developed to a more abstract form. I have enjoyed this journey of discovery with new materials, incorporating cold wax, oil sticks and collage. I hope to share the emotion I feel about this place. How precious the landscape is and the life force, the natural energy I experience.
Auckland based artist Jacqueline Letham, studied art in the UK gaining a BA Hons in fashion and textile design. It is her love of textures and colour, with strong lines and mark making, that give energy and movement to her work. Jacqueline has regularly exhibited at art centres and gallery spaces in the Auckland area. Whilst living in the UK, Jacqueline worked as a designer and craft maker of decorative artworks. These incorporated found objects and recycled elements. These were sold throughout the UK craft scene.
Website: www.jacquelinelethamartist.com
www.instagram.com/jacquelinelethamartist
www.facebook.com/JacquelineAnneLethamArtist
Triple Dip by Adrienne Matthews, Shana Southcombe and Helen Flashman
Gallery Three
Tuesday 03 September to Sunday 29 September 2024 at 2pm
Meet the artists on Saturday 07 September from 3pm to 4.30pm
Shana Southcombe
I have always been interested in art and after a very busy career, I took time out to attend Art Courses for 3 years at Ponsonby Art Station with tutor Matthew Browne. This was the start of being inspired to paint and try a variety of techniques.
I enjoy telling a story in my paintings and never tire of standing at my easel creating from my imagination.
I have lived both in Gulf Harbour and Red Beach for the past 9 years and love being part of the local art scene
Adrienne Matthews
I am a local artist who has lived in Millwater since 2013. I am largely self-taught, although I have attended classes at the Art Station in Ponsonby, the Lake House in Takapuna and at Estuary Arts here in Orewa. I'm a member of the Hibiscus Coast Artists group and a member of Estuary Arts. I love bright colours and happy themes. Most of my work has been in acrylic on canvas although I have used pastels, watercolour, and most recently, alcohol inks. My new interest in alcohol inks was kindled by seeing the works of a Tairua artist while on holiday in the Coromandel. I subsequently returned to Tairua and spent time at the artist's studio having some very valuable personal tuition. My style is always changing as I attempt new challenges, but tends to be mainly abstract with hints of realism. I have found that it is often these quirkier works that discerning buyers prefer. As I broaden my horizons, I’m sure my style will continue to evolve.
Helen Flashman
I studied art in London at Tottenham technical college. I was told at college not to bother trying to paint and was directed to art apprciation instead. I returned to painting in my later years and find it a great source of enjoyment. I have tried all mediums and have settled into acrylic ink and paint. I love texture. My style can be anything but is generally large and could be described as loose realism. I want you to recognise what it is but know that it is a pianting. I draw with my paint brush and adapt and alter my composition as it evolves.
Tuesday 03 September to Sunday 29 September 2024 at 2pm
Meet the artists on Saturday 07 September from 3pm to 4.30pm
Shana Southcombe
I have always been interested in art and after a very busy career, I took time out to attend Art Courses for 3 years at Ponsonby Art Station with tutor Matthew Browne. This was the start of being inspired to paint and try a variety of techniques.
I enjoy telling a story in my paintings and never tire of standing at my easel creating from my imagination.
I have lived both in Gulf Harbour and Red Beach for the past 9 years and love being part of the local art scene
Adrienne Matthews
I am a local artist who has lived in Millwater since 2013. I am largely self-taught, although I have attended classes at the Art Station in Ponsonby, the Lake House in Takapuna and at Estuary Arts here in Orewa. I'm a member of the Hibiscus Coast Artists group and a member of Estuary Arts. I love bright colours and happy themes. Most of my work has been in acrylic on canvas although I have used pastels, watercolour, and most recently, alcohol inks. My new interest in alcohol inks was kindled by seeing the works of a Tairua artist while on holiday in the Coromandel. I subsequently returned to Tairua and spent time at the artist's studio having some very valuable personal tuition. My style is always changing as I attempt new challenges, but tends to be mainly abstract with hints of realism. I have found that it is often these quirkier works that discerning buyers prefer. As I broaden my horizons, I’m sure my style will continue to evolve.
Helen Flashman
I studied art in London at Tottenham technical college. I was told at college not to bother trying to paint and was directed to art apprciation instead. I returned to painting in my later years and find it a great source of enjoyment. I have tried all mediums and have settled into acrylic ink and paint. I love texture. My style can be anything but is generally large and could be described as loose realism. I want you to recognise what it is but know that it is a pianting. I draw with my paint brush and adapt and alter my composition as it evolves.
Hibiscus Coast Printmakers - Imprint
Gallery Four
Tuesday 03 September to Sunday 29 September 2024 at 2pm
Meet the artists on Saturday 07 September from 3pm to 4.30pm
This group of printmakers meet regularly at Estuary Arts Centre, to share, connect and create together.
Participating artists:
David Bell, Gillian French, Katrina Rivers, Kelly Strong, Mary Nissen, Nichola Holmes, Sahar Borujeni, Sally Trhush, Talia Russell, Valerie Cuthbert, Vivien Davimes, Yvonne Gray.
Tuesday 03 September to Sunday 29 September 2024 at 2pm
Meet the artists on Saturday 07 September from 3pm to 4.30pm
This group of printmakers meet regularly at Estuary Arts Centre, to share, connect and create together.
Participating artists:
David Bell, Gillian French, Katrina Rivers, Kelly Strong, Mary Nissen, Nichola Holmes, Sahar Borujeni, Sally Trhush, Talia Russell, Valerie Cuthbert, Vivien Davimes, Yvonne Gray.
August 2024
EAC Annual Members Merit Awards
All Galleries
From Wednesday 31 July to Sunday 01 September 2024
Award Ceremony Friday 02 August from 6pm
A highlight on the Estuary Arts Exhibition calendar featuring the work of 100 members in painting, ceramics, mosaics, sculpture, mixed media, drawing and printmaking.
From Wednesday 31 July to Sunday 01 September 2024
Award Ceremony Friday 02 August from 6pm
A highlight on the Estuary Arts Exhibition calendar featuring the work of 100 members in painting, ceramics, mosaics, sculpture, mixed media, drawing and printmaking.
Congratulations to all of the Merit Award winners
Thank you all of our sponsors who donated prize packs to our Merit Award Winners:
- Premier Award Winner: "The Forgotten Telephone" by Priyanka Ray
- Ceramic Merits: Amanda Morton and Gail Smith
- Mosaic Merits: Ashley Reuben and Joanne Luker
- Youth Awards: Amber Boyd and Vinicio Baldisser
- Painting Merits: Tim Houghton, Christine Jurgeleit, Sally Heritage, Maree Lochead
- Printmaking Merit: Kerry Lander
- Mixed Media Merit: Josie Slack
July 2024
Spotlight on Sculpture 2024
All downstairs Galleries and outdoors
Wednesday 03 July 2024 to Sunday 28 July 2024 at 2pm
Featuring a comprehensive 4-week programme focusing on sculpture, consisting of an exhibition of small, medium and large sculpture in the Galleries and the area surrounding the Centre, workshops, artist talks and a school holiday programme.
Invited exhibitors who work in a range of sculptural media from ceramics, bronze, wood, mixed media, metal and glass will be displaying their work.
Participating artists include:
Alfred Hassencamp, Alysn Midgelow-Marsden, Amanda Morton, Carmen Simmonds, Christine Walker, Claire Nicholls, Dave Judd, D'Aunoy Clarke, Elena Smith, Elizabeth Walker, Heather Wratt, Jeff Thomson, Joe Kemp, Jo Luker, Kate Cornwall, Katrina Rivers, Katherine Batchelor, Keith Galvin, Kim Boyd, Larraine Buswell, Line Rose, Margaret Sumich, Mary Jordan, Metal Metcalfe,
Michael Irwin, Natanahira Pono, Neil Donaldson, Philippa Stichbury, Samantha Joy Minnery, Sandra Mather, Sarndra Cowley, Sherie Kemp, Sheree Foster, Shellie Highstead, Teimah Kemp, Sally Thrush, Tracey Currington, Ursula Christel, Val Cuthbert
and Yvonne Gray.
Wednesday 03 July 2024 to Sunday 28 July 2024 at 2pm
Featuring a comprehensive 4-week programme focusing on sculpture, consisting of an exhibition of small, medium and large sculpture in the Galleries and the area surrounding the Centre, workshops, artist talks and a school holiday programme.
Invited exhibitors who work in a range of sculptural media from ceramics, bronze, wood, mixed media, metal and glass will be displaying their work.
Participating artists include:
Alfred Hassencamp, Alysn Midgelow-Marsden, Amanda Morton, Carmen Simmonds, Christine Walker, Claire Nicholls, Dave Judd, D'Aunoy Clarke, Elena Smith, Elizabeth Walker, Heather Wratt, Jeff Thomson, Joe Kemp, Jo Luker, Kate Cornwall, Katrina Rivers, Katherine Batchelor, Keith Galvin, Kim Boyd, Larraine Buswell, Line Rose, Margaret Sumich, Mary Jordan, Metal Metcalfe,
Michael Irwin, Natanahira Pono, Neil Donaldson, Philippa Stichbury, Samantha Joy Minnery, Sandra Mather, Sarndra Cowley, Sherie Kemp, Sheree Foster, Shellie Highstead, Teimah Kemp, Sally Thrush, Tracey Currington, Ursula Christel, Val Cuthbert
and Yvonne Gray.
June 2024
Creative Indulgence by Anna Deacon
Gallery One, Two and Three
Wednesday 05 June 2024 to Sunday 30 June 2024 at 2pm
'Creative Indulgence' is a multi-media exhibition, a curation of visual art pieces produced as artistic escapes by Anna Deacon.
Anna has been a Lead Costume Pattern Drafter for International film & theatre for over 27 years. Last year, she became a Research Associate with the Auckland Museum, where she has been researching heirloom textiles hidden in the museum archives as part of her Master's in Historical Costume through Arts University Bournemouth UK [distant learning]. With such a busy life, taking time out to explore artistic mediums has not only become a creative indulgence but also a much-needed therapeutic escape.
Web ~ www.annadeaconcouture.com
Instagram ~ hidden_in_the_archives
Wednesday 05 June 2024 to Sunday 30 June 2024 at 2pm
'Creative Indulgence' is a multi-media exhibition, a curation of visual art pieces produced as artistic escapes by Anna Deacon.
Anna has been a Lead Costume Pattern Drafter for International film & theatre for over 27 years. Last year, she became a Research Associate with the Auckland Museum, where she has been researching heirloom textiles hidden in the museum archives as part of her Master's in Historical Costume through Arts University Bournemouth UK [distant learning]. With such a busy life, taking time out to explore artistic mediums has not only become a creative indulgence but also a much-needed therapeutic escape.
Web ~ www.annadeaconcouture.com
Instagram ~ hidden_in_the_archives
Auckland Photo Day exhibition
Gallery Five (upstairs)
Wednesday 05 June 2024 to Sunday 30 June 2024 at 2pm
Auckland Photo Day is a community engagement project initiated in 2004 by the Auckland Festival of Photography as a way to build democratic visual cultural currency and an inclusive and equitable arts and cultural environment.
Auckland Photo Day invites anyone, anywhere in Auckland during a selected 24 hour day to take a photo and share their perspectives of our region. It creates new photos that offer democratic visual conversations about the place in which we live, work and play. This event celebrates the many individual pockets of culture and identity present in New Zealand's biggest city.
The photographs feature fascination in the everyday, what is surprisingly different and what is comfortingly familiar. Whilst celebrated in a spirit of fun this event also fulfils the important role of documenting our life right here and now in the world we live in. A DAY IN THE LIFE of Auckland.
The images in this exhibition are just a small selection of the over 14000 that have been created and entered into Auckland Photo Day since its inception in 2004.
Thanks to the photographers for the images in this exhibition and thank you to everyone who has participated over the years.
Wednesday 05 June 2024 to Sunday 30 June 2024 at 2pm
Auckland Photo Day is a community engagement project initiated in 2004 by the Auckland Festival of Photography as a way to build democratic visual cultural currency and an inclusive and equitable arts and cultural environment.
Auckland Photo Day invites anyone, anywhere in Auckland during a selected 24 hour day to take a photo and share their perspectives of our region. It creates new photos that offer democratic visual conversations about the place in which we live, work and play. This event celebrates the many individual pockets of culture and identity present in New Zealand's biggest city.
The photographs feature fascination in the everyday, what is surprisingly different and what is comfortingly familiar. Whilst celebrated in a spirit of fun this event also fulfils the important role of documenting our life right here and now in the world we live in. A DAY IN THE LIFE of Auckland.
The images in this exhibition are just a small selection of the over 14000 that have been created and entered into Auckland Photo Day since its inception in 2004.
Thanks to the photographers for the images in this exhibition and thank you to everyone who has participated over the years.
May 2024
Eclectic - group exhibition
Gallery One, Two and Three
Exhibition sponsored by Ironside McDonald Intellectual Property and Jan Milne
Tuesday 30 April to Sunday 26 May at 2pm
Opening function Saturday 04 May 3pm onwards, meet the artists
Eclectic - deriving ideas, style, or taste from a broad and diverse range of sources.
This exhibition represents a collection of artists creations ranging from sculpture, printing, quilting, textile art, jewellery, photography, ceramics and woodturning.
Artists include:
Alexander Hill, Michael Irwin, Raewyn Irwin, Joan Hamilton, Bowden Hamilton, Janmarie Thompson, Margaret Reid, Patricia Wright, Kim Kneijber, Kim Boyd, Diane Toulmin, Paula Apperley-Wyborn, Kay Hobson, Debbie Eastwood, Sue Ironside, Kelly Henderson, Jane Elliott, Pippa Elliott, Marie Wintle, Brigette Philphott, Lina Xu, Em McClure, Kerry Hall, Helen Harford, Kate Wilkinson, Svea Berling, Georgie Fell, Janet Uitzinger, Michiko McNay, Clair Abel, Adrian Steel, Lesley Calder and Shane Irwin.
Exhibition sponsored by Ironside McDonald Intellectual Property and Jan Milne
Tuesday 30 April to Sunday 26 May at 2pm
Opening function Saturday 04 May 3pm onwards, meet the artists
Eclectic - deriving ideas, style, or taste from a broad and diverse range of sources.
This exhibition represents a collection of artists creations ranging from sculpture, printing, quilting, textile art, jewellery, photography, ceramics and woodturning.
Artists include:
Alexander Hill, Michael Irwin, Raewyn Irwin, Joan Hamilton, Bowden Hamilton, Janmarie Thompson, Margaret Reid, Patricia Wright, Kim Kneijber, Kim Boyd, Diane Toulmin, Paula Apperley-Wyborn, Kay Hobson, Debbie Eastwood, Sue Ironside, Kelly Henderson, Jane Elliott, Pippa Elliott, Marie Wintle, Brigette Philphott, Lina Xu, Em McClure, Kerry Hall, Helen Harford, Kate Wilkinson, Svea Berling, Georgie Fell, Janet Uitzinger, Michiko McNay, Clair Abel, Adrian Steel, Lesley Calder and Shane Irwin.
Auckland Watercolour Society Cash and Carry Exhibition
Gallery Four (Education Wing Foyer)
Tuesday 30 April to Sunday 26 May at 2pm
Opening function Saturday 06 May 3pm onwards, meet the artists
The exhibition will include beautiful watercolour paintings over a range of subjects, from a number of different artists who are members of the Auckland Watercolour Society.
Tuesday 30 April to Sunday 26 May at 2pm
Opening function Saturday 06 May 3pm onwards, meet the artists
The exhibition will include beautiful watercolour paintings over a range of subjects, from a number of different artists who are members of the Auckland Watercolour Society.
April 2024
Hibiscus Coast Art Group - Joint Exhibition
Gallery One
Tuesday 26 March to Sunday 28 April at 2pm
The Hibiscus Coast Art Group Meets every Monday morning 9.30am - 1.00pm in the Stanmore Bay Community Hall.
We are a friendly, welcoming Art Group which has been running for over 50 years on the Hibiscus Coast.
New members are always met with a friendly introduction to everyone, and we have a variety of talented artists amongst our members.
Many of our members also belong to Estuary Arts Centre and enjoy the link we have for attending their classes and visiting the various Exhibitions held at the Centre throughout the year. We look forward to another successful Summer Exhibition.
Participating artists include:
Adrienne Matthews, Beryl Rowland, Cindy Maude, Claire Carson, Colleen Melhuish, Dorothy Smith, Helen Flashman, Jackie Simpson, Janet Pickering, Jetske Zijderveld, Julie Land, Ken Crawford, Leonie Walker, Maureen Gresty, Peter Hallows, Pouline Morley, Richard Moulding, Rosa Gaeta, Sandra Moulding, Shana Southcombe, Sinfi Graham, Denny Cavanaugh
Tuesday 26 March to Sunday 28 April at 2pm
The Hibiscus Coast Art Group Meets every Monday morning 9.30am - 1.00pm in the Stanmore Bay Community Hall.
We are a friendly, welcoming Art Group which has been running for over 50 years on the Hibiscus Coast.
New members are always met with a friendly introduction to everyone, and we have a variety of talented artists amongst our members.
Many of our members also belong to Estuary Arts Centre and enjoy the link we have for attending their classes and visiting the various Exhibitions held at the Centre throughout the year. We look forward to another successful Summer Exhibition.
Participating artists include:
Adrienne Matthews, Beryl Rowland, Cindy Maude, Claire Carson, Colleen Melhuish, Dorothy Smith, Helen Flashman, Jackie Simpson, Janet Pickering, Jetske Zijderveld, Julie Land, Ken Crawford, Leonie Walker, Maureen Gresty, Peter Hallows, Pouline Morley, Richard Moulding, Rosa Gaeta, Sandra Moulding, Shana Southcombe, Sinfi Graham, Denny Cavanaugh
S H A P E D B Y G E O M E T R Y a series of geometric interactions
art works by DENICE SYMONS
Gallery Two
Tuesday 26 March to Sunday 28 April at 2pm
This series of works has been created to find a sense of calm in a chaotic world. Quietness in a storm Order in the centre of chaos. Geometric shapes are contained, structured, and predictable. Using universal shapes common to many cultures these shapes are simple in their structure and often complex in their meaning and application. I strive to find a balance in the imbalance Depth and variety of colour within a reduced colour palate Directional indicators to offer opposing visual directions Textured surfaces to remind the viewer of the underlying chaos. Throughout the series of works I have created over the years, the use of geometric shapes has been a constant factor in their creation. I have made reference to this in works ranging from abstracted landscapes to low relief panels which have been influenced by Taniko patterns and the observation of similar patterns in other cultures.
Tuesday 26 March to Sunday 28 April at 2pm
This series of works has been created to find a sense of calm in a chaotic world. Quietness in a storm Order in the centre of chaos. Geometric shapes are contained, structured, and predictable. Using universal shapes common to many cultures these shapes are simple in their structure and often complex in their meaning and application. I strive to find a balance in the imbalance Depth and variety of colour within a reduced colour palate Directional indicators to offer opposing visual directions Textured surfaces to remind the viewer of the underlying chaos. Throughout the series of works I have created over the years, the use of geometric shapes has been a constant factor in their creation. I have made reference to this in works ranging from abstracted landscapes to low relief panels which have been influenced by Taniko patterns and the observation of similar patterns in other cultures.
Emotive Bloom by Sarndra Cowley
Emotive Bloom is a captivating collection of sculptures that harness the language of flowers to convey a spectrum of deeply personal emotional life experiences. Each piece in this collection is meticulously crafted using a combination of wool fibres and mixed media, resulting in a visual and tangible representation of complex human emotions from depths of sorrow to the heights of joy. These sculpture capture the essence of the artist's shared emotional journey.
The intention of this thought-provoking collection is to invite viewers to explore the rich tapestry of human emotions through the language of flowers. These sculptures serve as a reminder that our emotional experiences, like the ever changing seasons are an integral part of the human journey and they can be expressed and celebrated through art.
Each piece in this collection is a testament to the power of creativity in conveying the depth of complexity of our emotions.
The intention of this thought-provoking collection is to invite viewers to explore the rich tapestry of human emotions through the language of flowers. These sculptures serve as a reminder that our emotional experiences, like the ever changing seasons are an integral part of the human journey and they can be expressed and celebrated through art.
Each piece in this collection is a testament to the power of creativity in conveying the depth of complexity of our emotions.
My Dreamscapes by Arina de Lange-Moore
Gallery Four (Education Wing)
Tuesday 26 March to Sunday 28 April at 2pm
My interpretation of landscapes in New Zealand and elsewhere.
I have always loved drawing and painting since I was little. My first introduction to oil paints was glorious. I was fifteen. There was paint everywhere, but I produced an impressionistic painting of an old gnarled tree, which I was very proud of! I am self-taught. To get to know effects and colours, I made copies of prints of other artists. I have been exhibiting at a gallery in South Africa called Art d’Afrique, and took part in group exhibitions at the “Tina Skukan” gallery while living in South Africa. I was invited to have an exhibition in a gallery in San Diego, on the border of Mexico, but the cost of sending my work over was prohibitive. I was also invited to have an exhibition at a gallery in Agadir, Morocco, but once again it was too expensive to send my work over. I have been living in New Zealand for 6 years, I love the beautiful scenery here and hope to “capture” more of the dreamscapes here in future.
Tuesday 26 March to Sunday 28 April at 2pm
My interpretation of landscapes in New Zealand and elsewhere.
I have always loved drawing and painting since I was little. My first introduction to oil paints was glorious. I was fifteen. There was paint everywhere, but I produced an impressionistic painting of an old gnarled tree, which I was very proud of! I am self-taught. To get to know effects and colours, I made copies of prints of other artists. I have been exhibiting at a gallery in South Africa called Art d’Afrique, and took part in group exhibitions at the “Tina Skukan” gallery while living in South Africa. I was invited to have an exhibition in a gallery in San Diego, on the border of Mexico, but the cost of sending my work over was prohibitive. I was also invited to have an exhibition at a gallery in Agadir, Morocco, but once again it was too expensive to send my work over. I have been living in New Zealand for 6 years, I love the beautiful scenery here and hope to “capture” more of the dreamscapes here in future.
March 2024
Flight to the Light by Caroline McSharry
Gallery One
Tuesday 27 February 2024 to Sunday 24 March 2024 at 2pm
Exhibition opening and meet the artist Thursday 29 February 6pm - 7.30pm
Caroline McSharry has been painting since 2004. She has worked as a Healing Therapist for over 30 years, which has opened her capacity to channel from the Divine Source, enabling her to create Inspirational Paintings that can reach the soul self for healing and release.
Caroline is also available for commissioned work. Caroline has been taking photographs most of her life, tuning into nature and allowing nature to create the right photograph, or being in the right place at the right time.
Caroline has exhibited her photography within the Auckland Region in several galleries.
Tuesday 27 February 2024 to Sunday 24 March 2024 at 2pm
Exhibition opening and meet the artist Thursday 29 February 6pm - 7.30pm
Caroline McSharry has been painting since 2004. She has worked as a Healing Therapist for over 30 years, which has opened her capacity to channel from the Divine Source, enabling her to create Inspirational Paintings that can reach the soul self for healing and release.
Caroline is also available for commissioned work. Caroline has been taking photographs most of her life, tuning into nature and allowing nature to create the right photograph, or being in the right place at the right time.
Caroline has exhibited her photography within the Auckland Region in several galleries.
Tui and More by Laura Layton
Gallery Two
Tuesday 27 February 2024 to Sunday 24 March 2024 at 2pm
Growing up in rural surroundings, Laura has always loved to paint from the environment around her. She has a particular love of Tui and plants. This collection is a combination of these and was created over the last six months amidst all the colours of late Autumn and the vibrancy of Spring and Summer. All paintings are on canvas using acrylic paints, starting with an abstract background on which layers are built and a realistic element, such as a tui or insect, added later on.
Bio:
Laura is a full-time artist from Tahekeroa – a rural area North of Auckland. Her surroundings of native bush and the beautiful birds of New Zealand inspired her love of painting all things nature.
Laura's art style has been quite a journey, starting with pen and pencil and just a hint of colour and very fine, detailed work, sometimes adding a little scene or touch of whimsy within a drawing.
After experimenting with different mediums, acrylic paint became a firm favourite and with this came experimenting with colours and shapes and a love of abstract art.
Laura feels a freedom with this style where she can add shapes, patterns and textures and enjoy how each viewer sees something different in the same painting.
Of course, every now and then she loves to add that little detail, maybe a little bee or insect, or sometimes a little more abstract in the form of flowers, plants and landscapes.
Tuesday 27 February 2024 to Sunday 24 March 2024 at 2pm
Growing up in rural surroundings, Laura has always loved to paint from the environment around her. She has a particular love of Tui and plants. This collection is a combination of these and was created over the last six months amidst all the colours of late Autumn and the vibrancy of Spring and Summer. All paintings are on canvas using acrylic paints, starting with an abstract background on which layers are built and a realistic element, such as a tui or insect, added later on.
Bio:
Laura is a full-time artist from Tahekeroa – a rural area North of Auckland. Her surroundings of native bush and the beautiful birds of New Zealand inspired her love of painting all things nature.
Laura's art style has been quite a journey, starting with pen and pencil and just a hint of colour and very fine, detailed work, sometimes adding a little scene or touch of whimsy within a drawing.
After experimenting with different mediums, acrylic paint became a firm favourite and with this came experimenting with colours and shapes and a love of abstract art.
Laura feels a freedom with this style where she can add shapes, patterns and textures and enjoy how each viewer sees something different in the same painting.
Of course, every now and then she loves to add that little detail, maybe a little bee or insect, or sometimes a little more abstract in the form of flowers, plants and landscapes.
Auckland - in Plein View Group Exhibition
Gallery Three
Tuesday 27 February 2024 to Sunday 24 March 2024 at 2pm
Offering different perspectives on the city’s landscape, the community art group’s upcoming show aims to share the practice of plein air (outdoor) painting with Aucklanders as the movement enjoys growing popularity.
The exhibition showcases the work of the Group, (an eclectic group of artists from all genre and methods) and is a culmination of their year’s paintings. All artworks have been painted on location and reflect each artist’s interpretation of the various locations they have painted, offering unique views and perspectives while also celebrating the role that the group plays in facilitating creativity and making art more accessible for people in the community.
Plein air painting invites participants to step outside and take a look at their city or region, the practice has a long tradition and is currently enjoying a surge in popularity as Kiwi's look to connect with their community and locale while exploring creative expression.
All types of media are used by the artists ranging from oil paint, acrylic, watercolour and various drawing tools. The Group hopes this exciting exhibition will introduce this type of art to the viewing public.
Participating artists:
Nicki Heenan, David Barker, Graham Downs, Merv Appleton, Amanda Gleason, Tony McNeight, Elise De Silva, John Heywood, James McDonough, Janice Skinner, Frances Charles, Jerome Rodil, Siew Tan, Nina Hamill, Sally Heritage, Steve Connellan, Maureen Lewis.
If you’d be interested in joining the group of finding out about its activities, please make contact with Nicki Heenan or Amanda Gleason.
Follow the Group’s Facebook Page @aucklandpleinairgroup
Tuesday 27 February 2024 to Sunday 24 March 2024 at 2pm
Offering different perspectives on the city’s landscape, the community art group’s upcoming show aims to share the practice of plein air (outdoor) painting with Aucklanders as the movement enjoys growing popularity.
The exhibition showcases the work of the Group, (an eclectic group of artists from all genre and methods) and is a culmination of their year’s paintings. All artworks have been painted on location and reflect each artist’s interpretation of the various locations they have painted, offering unique views and perspectives while also celebrating the role that the group plays in facilitating creativity and making art more accessible for people in the community.
Plein air painting invites participants to step outside and take a look at their city or region, the practice has a long tradition and is currently enjoying a surge in popularity as Kiwi's look to connect with their community and locale while exploring creative expression.
All types of media are used by the artists ranging from oil paint, acrylic, watercolour and various drawing tools. The Group hopes this exciting exhibition will introduce this type of art to the viewing public.
Participating artists:
Nicki Heenan, David Barker, Graham Downs, Merv Appleton, Amanda Gleason, Tony McNeight, Elise De Silva, John Heywood, James McDonough, Janice Skinner, Frances Charles, Jerome Rodil, Siew Tan, Nina Hamill, Sally Heritage, Steve Connellan, Maureen Lewis.
If you’d be interested in joining the group of finding out about its activities, please make contact with Nicki Heenan or Amanda Gleason.
Follow the Group’s Facebook Page @aucklandpleinairgroup
Auckland Seascapes by Paul Belli
Gallery Four (Education Wing Foyer)
Tuesday 27 February 2024 to Sunday 24 March 2024 at 2pm
My name is Paul and I've been photographing landscapes/seascapes since 2018. I've always shot long exposure photography but I'm pushing my boundaries with the length of exposures I choose to shoot. Taking exposures up and beyond 10 minutes.
I love the photographs I get to take, not only in my local HBC, but the wider Auckland area. My work usually always involves either water, landscape or both. I shoot in colour and black and white and switch between the two regularly as I feel they can tell a different story in the same scene. How I shoot a scene can also be dependent on my thoughts and mood at the time, as well as the ever changing Auckland weather haha. We're surrounded by so much natural beauty here in New Zealand. I get to use my camera as an extension of how I see the landscape and then print my photos with a focus on the magic I find.
If you check out some of my other works, I also shoot ICM (intentional camera movement), Macro and Product photography, specifically Motorbikes.
Long exposure seascape photography taken from some of Auckland's beautiful beaches.
I've been photographing landscapes/seascapes since 2018. I've always shot long exposure photography but do have a focus in other genres including but not limited to: ICM, Macro, Product Photography.
Tuesday 27 February 2024 to Sunday 24 March 2024 at 2pm
My name is Paul and I've been photographing landscapes/seascapes since 2018. I've always shot long exposure photography but I'm pushing my boundaries with the length of exposures I choose to shoot. Taking exposures up and beyond 10 minutes.
I love the photographs I get to take, not only in my local HBC, but the wider Auckland area. My work usually always involves either water, landscape or both. I shoot in colour and black and white and switch between the two regularly as I feel they can tell a different story in the same scene. How I shoot a scene can also be dependent on my thoughts and mood at the time, as well as the ever changing Auckland weather haha. We're surrounded by so much natural beauty here in New Zealand. I get to use my camera as an extension of how I see the landscape and then print my photos with a focus on the magic I find.
If you check out some of my other works, I also shoot ICM (intentional camera movement), Macro and Product photography, specifically Motorbikes.
Long exposure seascape photography taken from some of Auckland's beautiful beaches.
I've been photographing landscapes/seascapes since 2018. I've always shot long exposure photography but do have a focus in other genres including but not limited to: ICM, Macro, Product Photography.
February 2024
The Annual Tutor & Student Exhibition
Gallery One and Two
Wednesday 31 January 2024 to Sunday 25 February 2024 at 2pm
The annual Tutor and Student show features past and present students and tutors work over the past year and a half. Come down and celebrate our students successes in this wonderful inclusive exhibition.
Exhibiting Tutors:
Sonya Young, Michael Irwin, Pauline Smith, Carolyn Annand, Talia Russell, Elizabeth Walker, Di Toi, Amanda Morton, Kim Boyd, Kate Jones, Sandra Mather
Exhibiting Students:
Rosa Gaete, Holly Aymes, Helen Flashman, Kaye Martin, Diana Smith, Tracey Currington, Jocelyn Alexander, Joanne Keestra, Belinda Van Essen, Sherry Jones, Phil Crow
Wednesday 31 January 2024 to Sunday 25 February 2024 at 2pm
The annual Tutor and Student show features past and present students and tutors work over the past year and a half. Come down and celebrate our students successes in this wonderful inclusive exhibition.
Exhibiting Tutors:
Sonya Young, Michael Irwin, Pauline Smith, Carolyn Annand, Talia Russell, Elizabeth Walker, Di Toi, Amanda Morton, Kim Boyd, Kate Jones, Sandra Mather
Exhibiting Students:
Rosa Gaete, Holly Aymes, Helen Flashman, Kaye Martin, Diana Smith, Tracey Currington, Jocelyn Alexander, Joanne Keestra, Belinda Van Essen, Sherry Jones, Phil Crow
Landscape Painting by David Stone
Gallery Three
Wednesday 31 January 2024 to Sunday 25 February 2024 at 2pm
David Stone has been painting for many years, since obtaining a Diploma in Landscape painting. He particularly enjoys painting the sea in its varied picturesque settings, as well as farm building in their unique rural landscapes. His paintings are detailed and atmospheric. In this exhibition, he has included studies of boats as they lie at anchor and inspire the feeling of relaxed summer days.
Wednesday 31 January 2024 to Sunday 25 February 2024 at 2pm
David Stone has been painting for many years, since obtaining a Diploma in Landscape painting. He particularly enjoys painting the sea in its varied picturesque settings, as well as farm building in their unique rural landscapes. His paintings are detailed and atmospheric. In this exhibition, he has included studies of boats as they lie at anchor and inspire the feeling of relaxed summer days.
The Monday Afternoon Photographers
Gallery Four (Education Wing Foyer)
Wednesday 31 January 2024 to Sunday 25 February 2024 at 2pm
Participating photographers: Janet Munnings, Nick Munnings, Shoan Rickman, Wynn Gemmell, Min Wilson,
Martin Sanders, Breen Porter, Lynn Hedges, Marilyn Rendle, Anne Thornton, Phil Thornton
Group Description:
We are a group of amateur photographers who meet every Monday to take photographs at varying locations around the Auckland area. Some of us are members of the Hibiscus Coast Photographic Club and the North Shore Photographic Society.
We do not specialise in one genre of photography but take a diverse range of images. We also meet regularly to critique our images and this has enabled many of the group to improve their photography, especially as some of our members are also photography judges with wide experience. Many of the group have had success in National competitions like the North Shore Salon, Creative Focus and the National Exhibition.
The group originally came about after some of the members attended a photography class held on a Monday afternoon. Some years ago the tutor moved to the South Island but the current attendees decided to keep the group going and subsequently it expanded on an informal basis. We now have to turn potential members away as it is important to limit the size of the group, it becomes difficult to have too many photographers at each location. However if anyone is interested in creating their own group, we would be happy to help.
Wednesday 31 January 2024 to Sunday 25 February 2024 at 2pm
Participating photographers: Janet Munnings, Nick Munnings, Shoan Rickman, Wynn Gemmell, Min Wilson,
Martin Sanders, Breen Porter, Lynn Hedges, Marilyn Rendle, Anne Thornton, Phil Thornton
Group Description:
We are a group of amateur photographers who meet every Monday to take photographs at varying locations around the Auckland area. Some of us are members of the Hibiscus Coast Photographic Club and the North Shore Photographic Society.
We do not specialise in one genre of photography but take a diverse range of images. We also meet regularly to critique our images and this has enabled many of the group to improve their photography, especially as some of our members are also photography judges with wide experience. Many of the group have had success in National competitions like the North Shore Salon, Creative Focus and the National Exhibition.
The group originally came about after some of the members attended a photography class held on a Monday afternoon. Some years ago the tutor moved to the South Island but the current attendees decided to keep the group going and subsequently it expanded on an informal basis. We now have to turn potential members away as it is important to limit the size of the group, it becomes difficult to have too many photographers at each location. However if anyone is interested in creating their own group, we would be happy to help.
EAC Members Gallery
Members Gallery (Upstairs & Café)
Wednesday 31 January 2024 to Sunday 25 February 2024 at 2pm
Currently on display in the upstairs gallery is a mix of media, genre and techniques.
Exhibiting artists include:
Stefan Fuchs, Janet Jones, Carla Sclanders, Wilson Owen, Marina Fraser, Zane Taylor and Sandra Mather.
Wednesday 31 January 2024 to Sunday 25 February 2024 at 2pm
Currently on display in the upstairs gallery is a mix of media, genre and techniques.
Exhibiting artists include:
Stefan Fuchs, Janet Jones, Carla Sclanders, Wilson Owen, Marina Fraser, Zane Taylor and Sandra Mather.
